Back in 2016, Hayao Miyazaki, the director of movies such as Princess Mononoke and Spirited Away, was shown new technology that used AI in order to animate models. Faced with a zombie that utilised its head to move by knocking its skull against the ground and wriggling its body like a fish, Miyazaki declared what he had seen was “an insult to life itself”. It’s hard not to watch the clip without feeling slightly seared – but now, a decade later, the ashen-faced developers from that room have sufficiently recovered to make their work widely available.
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生成一条完整的品牌广告视频，背后要串联的东西远比你想象的多：生成场景、控制镜头运动、保持角色跨镜头的一致性、合成对话、设计音效、最后做后期。每一步都是独立的模型，每个模型的接口格式、错误处理、响应速度都不一样。没有一个统一的编排层把这些串起来，工程师会把大半时间花在"管道"上，而不是产品本身。a16z认为，谁能做好这个编排层，谁就拿到了生成式媒体基础设施里最稳定的一块——不是最耀眼的，但最难被替代。
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